The Norwegian prog rockers known as Jordsjø released a rather solid and evocative record last year entitled Jord that was inspired by German 70s synth music, horror movies, folk music, fantasy novels, and the melancholy beauty of Norwegian nature. Although it did not sweep me off my feet, there were some interesting ideas to be found on that disc and so naturally, I was quite excited about this new 2019 offering of theirs named Nattfiolen.
Nattfiolen has an introspective quality to it that is touching and a number of tunes that are borderline hypnotic, which is perfectly exemplified by the closing track ‘Ulvenatt‘. This one has such grace and delicacy to it that I am at a loss for words. It is the perfect example of how different tones and chords colour each other and where the word haunting is in order and actually means something. The use of acoustic guitars, flutes, analogue synthesizers, and tape echo all emphasize the strong and prevalent aura of longing that courses through the entire thing, and it is thrilling to hear how these guys have grown since the Jord album.
Nattfiolen is a highly competent and accomplished affair that brings to mind such acts as Camel, Tusmørke, Wobbler, and Caravan. It might not be as radical or playful as some of the records we associate with those particular outfits are, but trust me when I say that this is a fascinating and worthwhile release that all you lovers of moody prog-rock ought to invest in as soon as it hits the streets in late May.

