Marillion Revisit marillion.com 25 Years On
Dropped by EMI in 1995, Marillion then signed with Castle Communications, releasing three albums before, via 'crowdfunding', they became an independent entity, creating their...
Nina Antonia & The Lunar Moths: Butterflies
Nina Antonia is a music journalist and author who's been around the block more than once, and her specialist subjects are those whose lives...
Review: Hawkwind Revisit the Cosmos on Psychedelic Selection
Psychedelic Selection is the latest studio offering from Hawkwind. Well, it is not exactly a brand-new studio album. Instead, it plays more like the...
Yes – Aurora Album Review: Moving the Prog Spirit Forward
Yes have released their twenty-fourth studio album. It is remarkable to realize that this marks only the fifth time in an almost sixty-year history...
Beth Hart review: blues, soul and pure emotion
Beth Hart comes very highly rated by those who know and have worked with her. Slash, who guests on this album, says she is...
Converge unleash Hum of Hurt, raw, powerful and full of emotion
Converge have certainly been a busy bunch. Having released their latest album Love Is Not Enough in February 2026, which we reviewed, they have...
Really Into Something: Brit girl sounds and styles 1962-70
The sixties was a significant period of change for music and society. As Marianne Faithfull said, 'it was the time when society changed from...
Dimmu Borgir’s return signals The Grand Serpent Rising
Dimmu Borgir are ironically one of the most controversial bands in black metal, thanks to their more accessible sound and refusal to adhere to...
Swedish proggers Agusa return with Panacea
For a band, whom not too many people outside of Scandinavia have ever heard of, to be releasing a fourth live album, alongside six...
Defiled Conjure Up Relentless Horrors and Vertigo on Their Ninth Opus
Japan's ferocious death metal squadron Defiled is back and about to unleash an impressive and cleverly crafted album that sees the veteran outfit in...
