Birmingham alternative progressive rock act Xilla is back with another great single, one that both suggests that it’s a statement on the world at large that we find ourselves in right now, but also draws back within to the personal, and a emotional break-up.
‘Here Lies The Truth‘ is its title and it’s available to stream here, plus you can also check out the lyric video here at RAMzine.
Opening as a strummed ballad, Leigh Oates’ vocals ache wistfully, a lover attempting objectivity in a situation where reality refutes the possibility of such. You can of course choose to view it as commentary on those spurious wars across the globe, riots nearer to home, and just the usual crap humanity brings on itself.
Musically, as the song progresses vocal harmonies come in, as too orchestrated sounds, presumably either effects driven guitars or keyboards, that it then turns on its head into a solar fire explosion of tender but extreme guitar soloing over a tumbling driven backbeat, before it all passing into reflective coda shows this group continue to push the envelope creatively.
It comes some two months after previous single ‘Darkest Days’ that despite it’s downcast title, and provocative lines such as “rage turns to dust and leaves an empty space that pain won’t heal,” there’s an overall sense of resolving issues, and moving on for one’s own wellbeing, the band once more applying anthemic tones as if to emphasise that subtext – In part picture Manic Street Preachers married to early Queensryche, featuring some haunting, poetic guitar work of languid demeanour along the way.
The single can be streamed by clicking here and you can check out the video here at RAmzine.
‘Darkest Days‘ also comes across as the other side of the remaining coin in one’s pocket following the resolution of the band’s last single ‘Devil’s Dice’, still available on digital streaming services here alongside an accompanying video that you can check out here at RAMzine.
“I’m always keen to combine smooth melodic passages with heavier, powerful sections, and I think that comes across well throughout this track. The song was derived initially from the verse guitar chords, with the rest of the track composed around it,” said guitarist Greg Pullin. “It’s always rewarding listening back to a song and hearing riffs and parts you surprised yourself with. The emotion and suspense works really well, and the track generally has many elements of music that I enjoy as a listener. The mix is great and Leigh’s vocals are as huge as ever.”
‘One of my favourite new Xilla tracks. Leigh’s vocals take centre stage with this track, some of his finest work with the band so far,” said fellow guitarist Chris Flanagan, while Pullin’s brother Rich, and band bass played added: “Another big metal track, drawing from all our influences, new and old. The big middle eight should get you going!”
With praise heaped on by fellow band members, vocalist Leigh Oates said: “‘Darkest Days’ is one of the more reflective songs on the album – It deals with loss and regret, it’s got the massive trademark Xilla chorus of course and we hope it really connects with listeners old and new.”
On previous single ‘Devil’s Dice’ ‘ guitars herald an almost US-style classic rock anthemic boldness in the single’s opening moments, giving way to more indy-rock introspection with vocals setting the frame and deliberating over the choices made in life. That it moves seamlessly through other more progressive modes, and a mild-thrash section, alongside reiterating that anthemic approach in around five minutes, impressive, but mostly aurally impressive.
“I wanted to go guitar heavy from the outset with this track, which evolved around the main intro riff,” said guitarist Greg Pullin. “The powerful drum parts came naturally and were a lot of fun to write in demo form. Hugo brought them to life in the studio pretty much note for note. I’m really pleased with the overall result, huge vocals, thunderous bass and a really uplifting guitar solo to top it off. Can’t wait to play it live on stage.”
“With ‘Devil’s Dice’ we leaned into our prog metal roots,” noted fellow guitarist Chris Flanagan. “The track is full of complex rhythms and riffs, with a big chorus.”
“One of the biggest choruses we’ve written, a monster to sing!” added vocalist Oates. “Definitely a more heavy and technical track all about temptation and the human condition.”
The single ‘Endless’ came out previously, with Chris Flanagan commenting on that one: “‘Endless’ takes the sound of our previous album Distant Minds and turns everything up to 11. At seven minutes long, it is more of an epic track which gave us an opportunity to apply some of our progressive influences.”
That stated, time passes quickly listening to the song. Guitar chords stroke gently, while another six string joins bleeding out lines of anguish. This metal Floydian intro then churning melodiously more towards the distance as vocalist Leigh Oates moves to the microphone and delivers a song questioning self-worth, integrity, probing philosophical viewpoints in a relatable manner while hinting at broader meta-realities, lines like “Nobody’s worlds are the same” singing of the limitless possibilities, but also bringing it back to the personal, “Endlessly, I wait for you.”
There’s often a bruised emotional allure to Xilla’s works; they’re compelling musical essays for those walking trough life on a tightrope. Some four minutes in, the music takes on a more staccato metal funk fusion section wherein Greg Pullin injects sonic wailing before returning to the main theme and eventual climax as a clearer-toned guitar plays out, amid the song’s mantra-like chorus.
“For ‘Endless’, I had tonnes of ideas flowing once the first chord progression came to life. I knew the song would head in a drawn-out, epic direction, with a belting chorus and overdrive guitars progressively taking over from the crystal cleans in the intro,” revealed Pullin, further noting, “However, I surprised myself with just how heavy the breakdown section turned out, not to mention the equally filthy guitar solo which I must admit, relied heavily on summoning my inner Dimebag. I like to think he’d enjoy this one.”
‘Endless’ is available now on all streaming platforms clicking this link, and you can check out the official video here at RAMzine.
Xilla has a batch of new music they have been releasing as singles this year, and possibly EPs. Having been privileged to hear an advance listening of some of those, I can vouch that fans will not be disappointed. If anything, there’s a more direct and rockier stance without betraying their fluid musicality. This renewed vigour in their work, admirably demonstrated in previous single, ‘Like Vultures’.
“A short, concise track at first glance, being three minutes long, but still draws from a lot of influences of ours. ‘Wanted to keep it punchy whilst maintaining our signature Xilla musicality,” Greg Pullin noted concerning the single.
Certainly, it’s a more linear forceful approach than previous releases. ‘Like Vultures’ retains the group’s unease with humanity’s current emotional condition, but is more direct; for while lyrical allegories are used as hook lines, their bolder statement is in proclaiming how external forces feed and profit on our dismay, creeping paranoias, and general mistrust. Such pressure groups, with their deviant application of social media and real-time small talk, are – to my mind at least – self-serving propagandists for their own political, religious, and pharmaceutical company shareholders’ personal gain.
Of course, you may prefer to focus on Flanagan’s guitar solo that ignites slowly from around two-thirds in, and the weaving melodies presented by the band as a hole throughout; rather than my personal prejudices acting as bias to how I treat the words sung by Oates. In fact, you can check out the lyric video for ‘Like Vultures’ yourselves right here at RAMzine.
“One of our more direct songs, first one back for a while, feels good to break out the leather lungs! Big hooks and melodies as always,” commented the vocalist himself.
“We like to push our boundaries in Xilla,” remarked Flanagan, ”and we really wanted to try and create a short punchy track, which is a lot harder than it sounds! We have tried to ramp up the intensity on this one, and listening back to the song, it sounds like we are firing on all cylinders with all our amps turned up to 11!”
Bass player Rich Pullin also revealed the song’s genesis, remarking: “Written on bass, the foundation set… Heavy guitars and belting vocals bring this short but powerful track to life.” The final recording mixed and mastered by John Mitchel at Outhouse Studios (Alter Bridge, Enter Shikari, You Me At Six, Steven Wilson, Lonely Robot, Architects).
‘Like Vultures’ is also available on all online streaming services/stores, by clicking this link.
Xilla was formed in 2012, when brothers Rich and Greg Pullin, on bass and guitar respectively, teamed up with guitarist and BIMM graduate Chris Flanagan, followed by drummer Pete Smyth. Learning their craft from a young age and having played in rock bands since they were teens, they had become well rounded musicians by their early 20s. Thus, armed with an array of musical experience and influences to draw from, they quickly exploited an effortless musical chemistry, and started writing original music with the intention of creating something distinct and utterly memorable.
“We wanted the approachability of a great song, combined with the detail, texture and layers of all the music we enjoy,” the musicians explained.
Having previously joined I Am I, and performed live with vocalist ZP Theart (Dragonforce, Skid Row), the six string Pullin brother was under no illusion as to the calibre of vocalist required to compliment the sound Xilla were naturally creating. The band spent the next few years writing, performing live shows and working with various vocalists, although not quite finding the right fit for the job.
Fast forward to 2018 and with the arrival of frontman Leigh Oates (Order of Voices, Soldierfield, Rise to Addiction), the final piece of the Xilla puzzle was in place, whereby the band agreed their goal: “We had the intention of creating something distinct and utterly memorable.” Thus, that year saw Xilla work tirelessly perfecting and recording their debut album. The band enlisting the help of the aforementioned John Mitchell, who they’ve continued to work with, in his mixing and mastering their recordings.
Released worldwide in March 2019, their debut album, Distant Minds, impressed many, whilst gaining great reviews in prestigious press outlets, such as Prog and Powerplay magazine.
Xilla’s subsequent live performances received equally enthusiastic responses from audiences around the UK, at venues such as the 02 Academy, O2 Institute, Rebellion and KK’s Steel Mill. These events further showcased the band’s notable sound and the ambitious level of musicianship, first demonstrated on the record.
The album was followed up by two new singles in 2020 and 2021, releasing ‘Live Again’ and ‘Cornerstone’, before parting ways with drummer Pete Smyth.
Thereafter, the band continued to write, record and produce new music for release in 2024, recruiting Hugo Ribeiro (Moonspell, Godvlad) as session drummer for subsequent studio recordings. Of which we’ll no doubt read and hear more about in the days to come.
For more about Xilla at RAMzine click here.
