Die Like Gentlemen share some Hard Truths
Back in 2013, a release caught my eye because of its title… Romantic Delusions of Hell had a definite ring to it and the...
Carbellion wield their Weapons of Choice
Carbellion have been a unit since 2004 and their debut EP, American Heavy Rock, was descriptive, to say the least as they began to...
Hanoi Rocks are back on the Oriental Beat
The great Finnish band, often called ‘glam-punk’, Hanoi Rocks are at last releasing a remixed version of their defining second album, Oriental Beat (40th...
Connor Selby goes Deluxe
I admit to being confused, I thought I had a copy of Connor Selby’s debut album from 2018 called Made Up My Mind. I...
Those Damn Crows remind us to Inhale/Exhale
Those Damn Crows have travelled some distance since the summer of 2018 when they opened up the Ramblin’ Man festival. Their set that day,...
Arriver aim for the stars on Azimuth
Chicago-based band, Arriver, have been producing eclectic and heavy rock since 2006, illustrated perfectly on their debut Vanlandingham and Zone, which combines heavy rock...
Code Orange put electronic rage front and centre
Code Orange are back with their new album What Really Is Underneath? The band formed in 2008 and when the album Forever was released...
Tilintetgjort shall arise in death
Fresh from the bowels of hell comes the Norwegian experimental black metal artillery appropriately named Tilintetgjort (which translated means Annihilated) and what they conjure up...
Insomnium release another snow-topped conceptual masterpiece
Finnish Melodic Death Metal legends Insomnium return with their 9th studio album, Anno 16969. The album is another conceptual release similar to Winter's Gate,...
Could They Grieve be the future kings of Post-Metal?
They Grieve are a duo hailing from Ottawa Canada and they contribute to the beautiful musical cesspit that is the Doom/Drone genre. Their previous...
