Maiah Wynne has signed a record deal with Kscope, with a new studio album set for release in summer 2026, marking an exciting new chapter in the singer, songwriter and multi-instrumentalist’s rapidly ascending solo career.
Best known for her evocative songwriting and genre-blurring sound, Wynne has built an international following both as a solo artist and as a key member of Envy Of None, the project featuring bass player Andy Curran of Coney Hatch and guitarist Alex Lifeson of Rush, whose creative partnership with Wynne has drawn widespread acclaim.
Speaking to Rolling Stone, Lifeson remarked: “I’ve never had that kind of inspiration working with another musician.” A fact he stands by, because he’s contributed to six tracks on the forthcoming album.
“I am very excited and grateful to be working with Kscope for my next album release,” said Wynne. “I have loved working with them through Envy Of None and I consider them family now. I know I am in good hands and can’t wait to get this next record out.”
She added: “This signing is really timely with my move to London and I am looking forward to connecting with the Kscope team more in person and seeing what other opportunities arise while I am there. It’s really an honour to be among their lineup of talented artists.”
“Maiah Wynne is a truly distinctive and forward-thinking artist,” said Kscope. “Her work with Envy Of None, alongside her solo material, showcases a rare depth and originality. We’re thrilled to welcome her to the label and to be part of this next phase of her career.”
Wynne has toured extensively across the United States, sharing stages with Brandi Carlile, Indigo Girls and Tanya Tucker, and performing at major festivals including Red Ants Pants and Timber Music Festival. Her music has earned international airplay and coverage from Rolling Stone, Billboard, Guitar World and NPR Music.
The singer recently completed an extensive run of US dates supporting New York songwriter Shayfer James, before heading to Rushfest in Scotland. She is now based in London.
