Yes Sir Boss ‘Desperation State’ Album Review
I have seen Yes Sir Boss play live a total of three times. The first time I watched them was at Shambala 2011, and...
Green Day ‘¡Uno!’ Album Review
Ah, Green Day. What a wonderfully divisive little band. Are you a fan of Dookie, or did you enjoy American Idiot? Arguments over what...
The Finest Hour “These Are The Good Old Days” Album Review
These Are The Good Old Days is the debut album by indie-rockers The Finest Hour. The press release accompanying the tracks extolled the quality...
DIARIES OF A HERO ‘BEHIND THE MASK’ REVIEW
It was metal legend Lemmy that hand picked Diaries of a Hero to support him on tour: the highest honour for any metal band...
Savage Annihilation ‘Cannibalisme, Hérésie et Autres Sauvageries’ Album Review
As their biography tells me, Savage Annihilation came to existence when members from previous black metal and goregrind bands looked at each other in...
KISS ‘Monster’ Album Review
Everyone knows KISS in some way shape or form. Usually it's for the music, for the image or for the merchandise. They're not a...
NoFX ‘Self Entitled’ Album Review
While some punk bands (and I will use this term very loosely before I get set upon by Fat Mike) tend to either mature...
Wanderer ‘Into the Abyss’ Album Review
From the deep depths of nowhere, Wanderer has been re-released from its 2005 release to capture the ‘rare recording of dark and atmospheric black...
Yellowtooth ‘Disgust’ Album Review
Take a bit of Clutch’s Blast Tyrant album, mix that with copious amounts of fuzz, some Weedeater and then maybe take George Fisher’s vocals...
Autumn Owls ‘Between Buildings, Toward The Sea’ Album Review
Autumn Owls formed and began preparing ideas in 2007, when the Dublin three-piece of Gary McFarlane (guitar, vocals), Adam Browne (bass) and Will Purtill...
