Those Damn Crows remind us to Inhale/Exhale
Those Damn Crows have travelled some distance since the summer of 2018 when they opened up the Ramblin’ Man festival. Their set that day,...
Arriver aim for the stars on Azimuth
Chicago-based band, Arriver, have been producing eclectic and heavy rock since 2006, illustrated perfectly on their debut Vanlandingham and Zone, which combines heavy rock...
Code Orange put electronic rage front and centre
Code Orange are back with their new album What Really Is Underneath? The band formed in 2008 and when the album Forever was released...
Tilintetgjort shall arise in death
Fresh from the bowels of hell comes the Norwegian experimental black metal artillery appropriately named Tilintetgjort (which translated means Annihilated) and what they conjure up...
Insomnium release another snow-topped conceptual masterpiece
Finnish Melodic Death Metal legends Insomnium return with their 9th studio album, Anno 16969. The album is another conceptual release similar to Winter's Gate,...
Could They Grieve be the future kings of Post-Metal?
They Grieve are a duo hailing from Ottawa Canada and they contribute to the beautiful musical cesspit that is the Doom/Drone genre. Their previous...
The madcap brilliance of Avatar makes even the (Dance) Devil Dance
Upon hearing Dance Devil Dance for the first time one thing is first immediately clear, this album has swagger. More than any previous album,...
Asia – Fantasia: Live in Tokyo
At first glance, there are some noticeable parallels between the unlikely pairing of Asia and Crosby Stills & Nash (CSN). Both were formed by...
DeWolff address Love Death and In Between
I first got into this band on the recommendation of the legend that is Roger Glover who likened their sound to Purple and then...
Motorhead live on with some Seriously Bad Magic
It’s remarkable to consider, at one point, the NME (then an influential weekly music paper) branded Motorhead ‘the worst band in the world.’ How...
