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  Des Rocs: To Hell And Back, And Passionate Rock n Roll
  
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  Pagan Lords: UK Pagan Metal On The Rise
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  On The Radar: Closure, Sydney’s Post-Hardcore Rising Stars
  
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  Hawkwind Debut Album Remastered: 3CD Box Set Review
  
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  Metallica Played Antarctica and 9 More Wild Facts
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Joanne Shaw Taylor’s Tired Of Being Right

Big-screen weight for heavy music storytelling

Brian Fallon announces solo album Not Bad For New Jersey

Motörhead announce Kiss Of Death 20th anniversary

Review: Hawkwind Revisit the Cosmos on Psychedelic Selection

Yes – Aurora Album Review: Moving the Prog Spirit Forward

Beth Hart review: blues, soul and pure emotion

Live review: Uprising 9 at O2 Academy Leicester

Des Rocs: To Hell And Back, And Passionate Rock n Roll

On The Radar: HKSPK on black/death metal and Letters From The…

On The Radar: Imperium Talk Technical Groove & Debut Album ‘Exodus…

Pagan Lords: UK Pagan Metal On The Rise

On The Radar: Loons from Newcastle, Australia

On The Radar: Closure, Sydney’s Post-Hardcore Rising Stars

Hawkwind Debut Album Remastered: 3CD Box Set Review

Metallica Played Antarctica and 9 More Wild Facts

Joanne Shaw Taylor’s Tired Of Being Right

Big-screen weight for heavy music storytelling

Brian Fallon announces solo album Not Bad For New Jersey

Motörhead announce Kiss Of Death 20th anniversary

Review: Hawkwind Revisit the Cosmos on Psychedelic Selection

Yes – Aurora Album Review: Moving the Prog Spirit Forward

Beth Hart review: blues, soul and pure emotion

Live review: Uprising 9 at O2 Academy Leicester

Des Rocs: To Hell And Back, And Passionate Rock n Roll

On The Radar: HKSPK on black/death metal and Letters From The East

On The Radar: Imperium Talk Technical Groove & Debut Album ‘Exodus Unknown’

Pagan Lords: UK Pagan Metal On The Rise

On The Radar: Loons from Newcastle, Australia

On The Radar: Closure, Sydney’s Post-Hardcore Rising Stars

Hawkwind Debut Album Remastered: 3CD Box Set Review

Metallica Played Antarctica and 9 More Wild Facts

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