Thursday, May 2, 2024

Frank Carter & The Rattlesnakes

Having already played on some of the biggest festival line-ups including Leeds Festival, Download, Hellfest and the Reading Festival, Frank Carter & The Rattlesnakes has signed a new licensing deal with Golden Robot Records. 

2022 will see Frank Carter & The Rattlesnakes release two new singles via AWAL in conjunction with Golden Robot Records, before the band continues to work on their new album that will be released via Golden Robot Records, their new home label in US, Canada, Australia and New Zealand.

Golden Robot Global Entertainment Group CEO & President Mark Alexander-Erber expressed his excitement at the deal coming to fruition after having the band in his scope for years, commenting “Frank Carter & The Rattlesnakes have been on our radar for many years and to finally have them as part of our international rock n roll family is a real achievement for Golden Robot Records. We are super excited to be involved with the band and their brilliant management team (ATC Management) in the UK. The next few singles are rippers and the album for 2023 will take the band again to another level globally.”

In 2015 the band released their debut EP Rotten before releasing their first full-length album, Blossom, later that same year.  Their second album, Modern Ruin saw the band complete their current line up with Frank Carter on vocals, Dean Richardson and Russell Elliot on guitars, Tom ‘Tank’ Barclay on bass, and Gareth Grover on drums. 

2019 brought their third album End of Suffering to life featuring single ‘Crowbar’ and continued to cement the band’s place in the industry before the untimely shutdown of the world. The time in lockdown allowed the band to work on their fourth album, Sticky, released in 2021 with it featuring a guest appearance from Joe Talbot of Idles on lead track ‘My Town’.

Paul H Birch
Paul H Birch
RAMzine Senior Writer - Writer of fiction, faction and fact, has edited several newsstand magazines. He declares himself a hack for hire but refuses to compromise on the subject of music.

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