Onryō UK on Japanese Horror and Exit Here
Onryō UK are named after the vengeful ghosts of Japanese folklore, and their debut EP Exit Here is just as unforgiving. The band are...
Navigating the Treacherous Waters of Life: An Interview with Duesund
In early September the good and generous people of Apollon Records handed this scribe a vinyl copy of an intriguing-looking work titled Under Overflaten...
Chris Braide On DBA’s Trauma: A Trauma In The Making?
Chris Braide is an internationally renowned producer who's worked with major artists such as Beyoncé, Christina Aguilera and Lana Del Rey and, in his...
SOiL on the new album, UK tour and never quitting
More than a decade on from their last album of original material, SOiL are back with a brand new record that, in their own...
Derek Shulman Talks Gentle Giant’s Glass House
Gentle Giant's 1973 album, In A Glass House, became one of the band's most feted works, pushing hard at the boundaries of progressive rock...
Temples on Mars On Bloodstock, Freese And Fire
London's Temples on Mars have spent the past few years building something ambitious, and it is coming to a head. The alternative prog four-piece,...
On The Radar: Sunderland alt-punk duo Trivia
Sunderland's newest alt-punk two piece are about to release their debut EP, and their launch show sold out in a week. We caught up...
GUIDES: The Pittsburgh Band Bringing 2003 Back
There's a whole generation of heavy music that lived in the space between Ozzfest and Warped Tour, and GUIDES want to bring it back....
Chained Saint on Blindside, Tape and Riffs
Florida teen thrashers Chained Saint built their debut album Blindside the old way, straight to analog tape with no computers, under the guidance of...
Hammok On Community, Chaos And Their New Album
Oslo trio Hammok have just released When Does This Place Become Our Scene via Sargent House, a loud, physical hardcore record that's built to...
