Enslaved set the benchmark with Heimdal
Enslaved are one of the leading lights in the black metal genre. From their inception in 1991, Enslaved were your prototypical black metal band,...
Die Like Gentlemen share some Hard Truths
Back in 2013, a release caught my eye because of its title… Romantic Delusions of Hell had a definite ring to it and the...
Tech Trek boldly goes where no death metal band has gone before; Manchester (Archspire,...
Many have been anxiously awaiting the return of Archspire as they support their latest tech death masterpiece, Bleed the Future. Tech Trek: The latest...
Carbellion wield their Weapons of Choice
Carbellion have been a unit since 2004 and their debut EP, American Heavy Rock, was descriptive, to say the least as they began to...
Hanoi Rocks are back on the Oriental Beat
The great Finnish band, often called ‘glam-punk’, Hanoi Rocks are at last releasing a remixed version of their defining second album, Oriental Beat (40th...
Connor Selby goes Deluxe
I admit to being confused, I thought I had a copy of Connor Selby’s debut album from 2018 called Made Up My Mind. I...
Bullet For My Valentine, Jinger and Atreyu reign through Liverpool
It's raining in Liverpool, and it's falling but that's nothing compared to the tears that will crash around us when our inner teenage youth...
Those Damn Crows remind us to Inhale/Exhale
Those Damn Crows have travelled some distance since the summer of 2018 when they opened up the Ramblin’ Man festival. Their set that day,...
Arriver aim for the stars on Azimuth
Chicago-based band, Arriver, have been producing eclectic and heavy rock since 2006, illustrated perfectly on their debut Vanlandingham and Zone, which combines heavy rock...
Robert Jon and the Wreck live at ‘bourne music club
If there’re any music biz awards for hard-working bands, Robert Jon & the Wreck must surely qualify. Their gig at the ‘bourne music club...
