Bloodstock 2015 Highlights: Sunday
Sunday - the last day of the festival. A day where we look back on the best times this weekend and make the most...
Malevolence scream their truth
With only four albums in their locker, few would believe that Malevolence would be where they are now after 15 years. Since their formation...
Dragonforce: Warp Speed Warriors break the sound barrier
Dragonforce are so far away from being a standard power metal band. Their ability to experiment with supersonic speeds, technical mastery and goofball self-awareness...
Joe Bonamassa – Austin City Limits Live 1st April 2021
A two and half-hour show screened live across the internet begins with sponsored advertising. I suspect many of Joe Bonamassa’s fans were born into...
Blackmore’s Night – Fires at Midnight (2024 Remix)
Ritchie Blackmore’s name was made in the late sixties and seventies, not just through his legendary incendiary skills on the guitar, but also through...
Epica – The Quantum Enigma
Fifth album in from Epica the symphonic metal band who hail from Holland, but the first I’ve had the opportunity to listen to. Increasingly...
Slayer – The Repentless Killogy
A cold, bleak evening in London rushing through the masses of miserable, sullen faces from their daily routine, we look to break our own...
Sklitakling Explodes At The Apollon Platebar In The Heart Of Bergen
The ferociously efficient and ever so cool punk rock quartet known as Sklitakling stopped by the Apollon Platebar early Thursday evening (November 6) to...
Iain Matthews: A People’s History by Richard Houghton
Spenwood Books
Mention Iain Matthews’ name to most music fans and, if the answer isn’t "who?", then it’s likely to be "oh, isn’t he the...
Review: Pavilions – The Futures Mine to Make
I really do not know how these guys are still unsigned. They are sky rocketing and blasting out more Liverpool talent. It’s just a...
