1968 produce heavy, muddy guitars and riffs aplenty on ‘Ballads of the Godless’
The clue’s in the name, here we have a band with their roots firmly in the late 60's. Picture Blue Cheer, the 13thFloor Elevators,...
Review: King 810 – La Petite Mort or a Conversation with God
When you think of America’s most desirable locations in which to take a well-deserved summer holiday, it’s rather unlikely that Flint, Michigan would be...
Apocalyptic Love – Slash feat. Myles Kennedy and The Conspirators
By Martin Durrant
Slash is a name that is synonymous with rock and roll. His very image provides the essence of the music we...
Sacred Reich pack out the Underworld
On any given week in the Capital, you’d be hard-pressed to not find a gig to attend, this week in particular, you are actually...
Hollywood Vampires pay tribute to fallen rock stars in Manchester
Returning to Manchester for the first time in five years, Hollywood Vampires take over a sold-out arena in what can only be described as...
Review: Helpless – Debt
Helpless describe themselves as 'Metal/Punk/Whatever'. The 'whatever' bit had me thinking, it sounds very experimental meaning ‘anything goes’ and the band have certainly captured...
Atomic Rooster Returns: Circle The Sun Recaptures 70s Hammond Organ Glory
Atomic Rooster emerged out of the dissolution of the first Crazy World of Arthur Brown, with Vince Crane (Hammond Organ) and pre-ELP Carl Palmer...
The Pineapple Thief’s Hold Our Fire
The Pineapple Thief can be included in the list of bands who continually release albums which achieve critical success, and who sell albums to...
Dreamshade ‘The Gift Of Life’ Album Review
‘The Gift of Life’ is the second offering from Swiss metal noise makers Dreamshade, who with the help of producer Jacob Hansen (who has...
Vanilla Fudge
Vanilla Fudge was one of the first American groups to infuse psychedelia into heavy rock sound to create “psychedelic symphonic rock” an eclectic genre that would,...
