Abhorrent Decimation – The Pardoner
Make no mistake, The Pardoner is nothing of an apology, and they have little to apologize for. The links between metal and classical music...
Stone Broken’s Home Tour supported by Those Damn Crows and Dead Man’s Whiskey
With barely time to recharge camera batteries since the last gig at the O2 Islington, we found ourselves back in the venue for yet...
Live: Hacktivist,Think Tank, Newcastle
Hacktivist are without a doubt, one of the best live bands I’ve ever had the privilege of seeing more than once, and they did...
Cometh The Storm… High On Fire Return With A Blast
After five long years since 2018's Electric Messiah, GRAMMY-award winners and all-round heavy metal titans, High On Fire return with Cometh The Storm and in...
Review: WHYZDOM – Symphony for a Hopeless God
The name WHYZDOM evokes (for me anyway) the disappointing 1978 American musical based on the Wizard of Oz. It is a strange choice of...
Review: Foul Body Autopsy – Perpetuated by Greed
Armed with an ipod, Guitar and a desire to crush skulls Foul Body Autopsy is a one man band from Leicester City founded by...
Live Review: Serpentine @ Hard Rock Hell
Serpentine – Stage 2 - Friday
If there’s one band of the weekend that impressed us more than anyone else, it was these guys. It...
Feed The Rhino, Marmozets, Steak Number Eight @ The Borderline, London
Soho is a part of London that is renowned for being a vibrant and busy place but tonight, it feels even more so. Tonight...
Casting A Spell Of Opulent Decay
Hailing from Vancouver, Spell are a rock band on a mission; after their debut titled, Full Moon Sessions which released in 2014 and 2017’s follow...
The Beach Boys ‘Made In California’
The problem with a study of the Beach Boys is that their career has been so long - their production has been so prolific,...
