CAMDEN ROCKS 2019 — Two Day Festival Report
Day One: The hottest weekend of the year began under a blazing sun and the brightest sky. After we'd collected our wrist-candy from The...
Job For A Cowboy Triumphantly Return with Moon Healer
Job for a Cowboy are well and truly back with brand new music after a hiatus that followed their 2014 album release, Sun Eater.
Bassist,...
Dark Karma Soul ‘Theory Of Karma’ Album Review
‘Theory Of Karma’ from the Aldershot (UK) based Electronica /Industrial Metal band Dark Karma Soul may remind the listener of Mudvayne, with some of...
The Clash – A Photographic Monograph
Chris Salewicz opens this book by declaring that The Clash were "the garage band who grew to stadium size," and in doing so, they...
Grief Collector deliver a showcase on Disbelief Delirium
What happens when you combine ex-members from Signs of Rain, Among the Serpents and Candlemass with the desire to make sludge tinged heavy metal...
Morse/Portnoy/George go Cover to Cover
Not one, but three CDs of cover versions as the illustrious trio of Morse/Portnoy/George re-release a couple of previous covers albums and tack on...
Review: Veil Of Maya – False Idol
False Idol is Veil Of Maya’s first album since 2015’s Matriarch, an album which elevated their already considerable status in the world of tech...
John Sloman – Two Rivers
For rock fans of a certain vintage, the name John Sloman will certainly reawaken a few memory cells because, at one time, he was...
Review: Dillinger Escape Plan – Dissociation
Dillinger Escape Plan are calling it a day. That news should signal a national day of mourning and yet to the mainstream; it will...
Axel Rudi Pell watches the Sign of the Times
With the release of his nineteenth studio album, Germanic guitar maestro Axel Rudi Pell has again surrounded himself with quality musicians (and maintains his Blackmore...
