Review: City of Thieves – The Incinerator
London may well be a city built upon the reputation of thieves. From the greedy bank-bosses who dwell in their shiny towers, to the...
Review: ARCHITECTS – All Our Gods Have Abandoned Us
These are uncertain times. A theme prevalent across Architects latest album, All Our Gods Have Abandoned Us. The seventh studio release makes a new...
Danny Bryant – Revelation
Two years down the road since his last album, Blood Money, there’s much to remind us of British blues guitarist Danny Bryant's credentials via some...
Canyon pop and sparkle on Static EP
A power trio from Australia? A power trio from Australia with no Acca Dacca cloning? Yes please!
Say hello to Canyon, a Melbourne threesome who...
Deliberations From The Shire with Mike James – Mors Principium Est
Embers Of A Dying World is the sixth full-length album from Finnish melodic death metallers Mors Principium Est. Having formed around 2002/3 the band...
Review: Opeth – Sorceress
The beautiful opening on this album from ‘Persephone’ takes all your stresses and worries away like no tomorrow. It allows you to sit back...
Gentle Giant pen their new release Free Hand
For aficionados of classic 1970’s prog rock, the name Gentle Giant is revered. Emerging from Simon Dupree & the Big Sound (remember “Kites?”) they...
Sonata Artica – Pariah’s Child
Fifteen years into a career, with eight full albums now released, Finland’s Sonata Artica deliver Pariah’s Child, a melodic power metal operatic odyssey in...
Review: Butcher Babies – Take It Like A Man
After blowing me away at Download Festival back in June, Butcher Babies made it on to my 'must hear more' list. I bought their first studio...
DEFECTO seamlessly blend beautiful melodic parts with the more aggressive elements
Fast-paced, hard-hitting, anthemic and in some ways, slightly haunting are all ways to describe Defecto's new album, Nemesis Prime Collective. The Danish four-piece (a...
