The Pretty Reckless kick it up a notch on fourth album, ‘Death By Rock...
Due to the current situation of the world, it’s obvious that most people are thinking dark thoughts. But, did you ever imagine what a...
Anneke van Giersbergen is luminous on new album ‘The Darkest Skies Are The Brightest’
There probably aren’t too many albums which can claim to have been inspired by the Japanese art of Kintsugi, the piecing together of a...
Vestindien offer unique and spirited take on Norweigan Black Metal
What have we here? Appropriately entitled NULL, which translates to ZERO in English, Norway’s Vestindien have conjured a dark and brooding black metal record...
A new French Style Pianocore E.P. from My Own Private Alaska
The spilling of drums helps jump-start your brain before thrusting you into a daunting journey of darkness, as the sense of foreshadow grows ever crueler in an apocalyptic waltz...
Gloomy-doomy AfroRock from HERE LIES MAN Ritual Divination
A wondrous portmanteau of cadence, pulse and euphony. Gloomy-doomy, dancy-funky and trippy-drifty —
Michael Schenker – Immortal
The guitar force of nature, otherwise known as Michael Schenker, is one of the most mercurial players on the rock scene. His playing has...
EDENBRIDGE – The Chronicles of Eden, pt2
Edenbridge are an Austrian symphonic metal band who through the years of their existence, have been bracketed into the same category as bands like...
Heavy Feather float a ‘Mountain of Sugar’
Heavy Feather’s first album Débris & Rubble (2019) was featured in RAMzine issue 22, when I said “they show how to take influences like...
Filled with wen and mistletoe: Legado de una Tragedia — Britania
Exuberant orchestral lamentations... sumptuous and ethereal
Accept once again prove they are ‘Too Mean to Die’
There's no way of knowing how long this iteration of Accept will last before lineup changes occur but whoever joins next will have the lofty task of having to top Too Mean to Die.
